War Wounds

I studied this poem at school, and yet it didn't ruin for me its painful beauty. The literary genius of the alliteration, metaphor, oddly chosen adverbs and adjectives, the clever use of simile, anaphora, the rhyme scheme: all this is eclipsed by the strong images the poem conjures up, the`picture of young men fighting their way through the gas attack in pain and fear and desperation, which hasn't left my mind to this day. Add to this unutterable personal tragedy: Wilfred Owen was killed in battle a week before the end of the war, so that news of his death reached his village the day the end of the war was declared. A masterpiece.

Dulce Et Decorum Est: Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame, all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! Gas! Quick, boys! An ecstasy of fumbling,
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in.
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

A Bit of Art in the Mix

Musee des Beaux Arts W.H. Auden

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.
1940

Wear Sunscreen - Mary Schmich

A poem or not a poem? Plenty of people would disagree, but to me it is exactly what a poem should be like: carefully put together, with plently of thought to the sound of the words, the scansion of the phrases, epanalepsis etc. And with an interesting message, amusingly written. And if anyone (who has a blog, for instance!), wants to write their own version of this, as I was thinking I might (if it wasn't for the excessive yet necessary revision Im meant to be doing...) then I would be most interested!

Wear Sunscreen - Mary Schmich

Ladies and Gentlemen of the class of '97... wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be IT.

The long term benefits of sunscreen have been proved by scientists whereas the rest of my advice has no basis more reliable than my own meandering experience.

I will dispense this advice now.

Enjoy the power and beauty of your youth. Never mind. You will not understand the power and beauty of your youth until they have faded. But trust me, in 20 years you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked.

You are NOT as fat as you imagine.

Don't worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday.

Do one thing every day that scares you.


Sing.
Don't be reckless with other people's hearts, don't put up with people who are reckless with yours.


Floss.
Don't waste your time on jealousy; sometimes you're ahead, sometimes you're behind. The race is long, and in the end, it's only with yourself.

Remember compliments you receive, forget the insults; if you succeed in doing this, tell me how.

Keep your old love letters, throw away your old bank statements.


Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives, some of the most interesting 40 year olds I know still don't.

Get plenty of calcium.

Be kind to your knees, you'll miss them when they're gone.

Maybe you'll marry, maybe you won't, maybe you'll have children, maybe you won't, maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much or berate yourself, either. Your choices are half chance, so are everybody else's. Enjoy your body, use it every way you can. Don't be afraid of it, or what other people think of it, it's the greatest instrument you'll ever own.

Dance. Even if you have nowhere to do it but in your own living room.

Read the directions, even if you don't follow them.

Do NOT read beauty magazines, they will only make you feel ugly.

Get to know your parents, you never know when they'll be gone for good.

Be nice to your siblings; they are your best link to your past and the people most likely to stick with you in the future.

Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography in lifestyle because the older you get, the more you need the people you knew when you were young.

Live in New York City once, but leave before it makes you hard; live in Northern California once, but leave before it makes you soft.


Travel.
Accept certain inalienable truths, prices will rise, politicians will philander, you too will get old, and when you do you'll fantasize that when you were young prices were reasonable, politicians were noble and children respected their elders.

Respect your elders.

Don't expect anyone else to support you. Maybe you have a trust fund, maybe you'll have a wealthy spouse; but you never know when either one might run out.

Don't mess too much with your hair, or by the time you're 40, it will look 85.

Be careful whose advice you buy, but, be patient with those who supply it. Advice is a form of nostalgia, dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.

But trust me on the sunscreen.

A Bit of Stargazing

I recited this to my friends and our tourguides in the desert, when we were standing under the most awesome and incredible sky of stars you have ever seen. So immense you felt overwhelmed. I think if I could give someone all the stars that would be the greatest present in the Universe.

He wishes for the cloths of heaven-William Butler Yeats

Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly, because you tread on my dreams.

Sonnet 130

Today ladies and gentlemen, some Shakespeare for a change. This is the most beautiful sonnet which combines realism and sarcasm with genuine emotion.

Sonnet 130

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

Aubade, Philip Larkin

Aubade-Philip Larkin


I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.

A Valediction: Of Weeping

I promised Ben some Donne on here, and this is my favourite Donne poem of all. Such a mish-mash of imagery and conceits and yet somehow, for me, it works. I like the idea of her face reflected in his tears being a whole world, a globe because it is a sphere and also metaphorically his whole world. Enjoy.

A Valediction: Of Weeping - John Donne

LET me pour forth
My tears before thy face, whilst I stay here,
For thy face coins them, and thy stamp they bear,
And by this mintage they are something worth.
For thus they be
Pregnant of thee ;
Fruits of much grief they are, emblems of more ;
When a tear falls, that thou fall'st which it bore ;
So thou and I are nothing then, when on a divers shore.

On a round ball
A workman, that hath copies by, can lay
An Europe, Afric, and an Asia,
And quickly make that, which was nothing, all.
So doth each tear,
Which thee doth wear,
A globe, yea world, by that impression grow,
Till thy tears mix'd with mine do overflow
This world, by waters sent from thee, my heaven dissolvèd so.

O ! more than moon,
Draw not up seas to drown me in thy sphere ;
Weep me not dead, in thine arms, but forbear
To teach the sea, what it may do too soon ;
Let not the wind
Example find
To do me more harm than it purposeth :
Since thou and I sigh one another's breath,
Whoe'er sighs most is cruellest, and hastes the other's death.

The Piano

I set this poem to music for my GCSE, I think it's gorgeous. I have lot of memories like this, of waking up to beautiful piano music, and sometimes a particular piece will just set me off on a path down the years.

PIANO
By D.H. Lawrence

Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.

In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.

So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.

Another favourite. Again, a nice segue from the descriptive to the comntemplative. I like it when poems broaden their scope like that, but not in too obvious a way. I always remember the line "When the little I knew was less limited than now" as well. So contradictory but true.

Armada, Brian Patten

Long, long ago
when everything I was told was believable
and the little I knew was less limited than now,
I stretched belly down on the grass beside a pond
and to the far bank launched a child’s armada.
A broken fortress of twigs,
the paper-tissue sails of galleons,
the waterlogged branches of submarines -
all came to ruin and were on flame
in that dusk-red pond.
And you, mother, stood behind me,
impatient to be going,
old at twenty-three, alone,
thin overcoat flapping.
How closely the past shadows us.
In a hospital a mile or so from that pond
I kneel beside your bed and, closing my eyes,
reach out across forty years to touch once more
that pond’s cool surface,
and it is your cool skin I’m touching;
for as on a pond a child’s paper boat
was blown out of reach
by the smallest gust of wind,
so too have you been blown out of reach
by the smallest whisper of death,
and a childhood memory is sharpened,
and the heart burns as that armada burnt,
long, long ago.

Snow

My favourite poem ever, and nicely topical for this whitewashed surprise of a day. By the way, any ideas about why the snow outside my window has completely covered the grass, trees, cars etc. but the road has remained, not only snow-free, but wet and warm-looking, with unfrozen puddles scattered about? Most peculiar. The roads haven't even been gritted.

Louis MacNiece - Snow

The room was suddenly rich and the great bay-window was
Spawning snow and pink roses against it
Soundlessly collateral and incompatible:
World is suddener than we fancy it.

World is crazier and more of it than we think,
Incorrigibly plural. I peel and portion
A tangerine and spit the pips and feel
The drunkenness of things being various.

And the fire flames with a bubbling sound for world
Is more spiteful and gay than one supposes -
On the tongue on the eyes on the ears in the palms of one's hands -
There is more than glass between the snow and the huge roses.

For Ben - poetry lesson

This is one of my favourite poems in the world, I think its imagery and the segue between the descriptive and the contemplative is just stunning.

Clouds, Rupert Brooke

Down the blue night the unending columns press
In noiseless tumult, break and wave and flow,
Now tread the far South, or lift rounds of snow
Up to the white moon's hidden loveliness.
Some pause in their grave wandering comradeless,
And turn with profound gesture vague and slow,
As who would pray good for the world, but know
Their benediction empty as they bless.


They say that the Dead die not, but remain
Near to the rich heirs of their grief and mirth.
I think they ride the calm mid-heaven, as these,
In wise majestic melancholy train,
And watch the moon, and the still-raging seas,
And men, coming and going on the earth.